Sony fx3。 Sony FX3 Full Frame Cine Camera Announced

XAVC S-I All Intra 4:2:2 10-bit internal recording. There is no way to use this tap without blocking the HDMI output. It really is very light in weight. All the key buttons are on the right-hand side of the camera where the user will grip the camera for handheld use. You can use a USB power delivery device via USB-C as well. It really is the one missed feature I wish Sony would have added. On the front right-hand side of the camera, there is also another customizable button that is preset as a record button. That's where the FX6 really messed things up. 16-bit RAW output via full-size HDMI type A connector. Fast Hybrid Auto Focus, Touch Tracking real-time tracking and Real-time Eye AF, also used in other Alpha cameras• 4K is still perfectly acceptable and will still be for quite some time. The majority of the content you consume is either HD or UHD, and that is unlikely to change anytime soon. 5 mm Stereo Mic Level Input 1 x 9-Pin GPI, Genlock, RS-232, Timecode Display Fixed LCD Fixed LCD Fixed LCD Fixed LCD ND FILTERS No No Yes No Battery Sony NP-FZ100 Sony L-series Canon BP-A Series Canon BP-9 Series Power 1 x 4-Pin LEMO 1 x Barrel 11. Just look at the F5, F55, FS5, and FS7. But unlike with the FX6, which currently can only output RAW over SDI to the Atomos Shogun 7, with the FX3 you can output RAW over HDMI to an Atomos Ninja V. The FX3 can be used as your main camera, a B camera to the FX6 or FX9, or in combination with the a7S III. 5 mm Stereo Headphone output 1 x USB Type-C 1 x 3. The menu structure of the FX3 is the same as the a7s III when in video mode. Given the small megapixel count, this camera will only ever be capable of recording in resolutions of 4K. Sony Cinema Line And now there are four. The FX3 is just the third commercially available camera that I know of that can use CFexpress type A cards. It is truly a hybrid camera that turned into a video camera full-on with some impressive stills options too. Many rumors suggest that the newcomer will be capable of shooting both stills and video equally well which puts it in a unique position when comparing it to the existing siblings part of the Sony Cinema Line. I will be giving my opinions on the FX3 and its usability. In-body 5-axis image stabilization• You can use these mount pints to attach various accessories. Exceptional Autofocus, Even on Moving Subjects Autofocus is another area where the FX3 excels, even when subjects are shot in slow motion. Sony stated the FX3 has a cageless design due to the mounting points they added around the body.。 5 axis IBIS — In Body Image Stabilization with Active Mode. With All-I XAVC S encoding , the bitrate is up to 600Mbps. S-Cinetone• The FX3, at least in my opinion, is still a solid offering that gives you all of the benefits of the a7S III in a slightly more video-centric package with better included audio options, S-Cinetone, and proper cooling. com and has been writing on the site since 2010. Why did I not include the FX3 top handle in the Cinema Line at the top of the page? The air intake is on the bottom of the camera and the exhaust is on the left-hand side beneath the HDMI port. The top handle includes an audio interface similar to the Sony XLR-K3M minus a built-in microphone. The FX3 is essentially what everyone wanted in a new a7S. If you want to use a LUT then you would need to hook up an external monitor or EVF that has the ability to import or use LUTs. While these can come in handy, I think many will put a cage on it anyway as the options are rather thin. The enhanced Fast Hybrid AF system has customizable AF transition speeds and sensitivity settings, and also combines phase-detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. We would be hard-pressed to suggest buying the Sigma fp over the Sony FX3. The ISO is also expandable from 40-409,600. When shooting in S-Log 3, the FX3 promises more than 15 stops of dynamic range, per internal Sony testing. Sony FX3• Wireless LAN Wi-Fi 2. That is why Sony will continue to sell the FS7 M2 and FS5 M2. This is certainly a trend these days with cameras and one that is unlikely to change anytime soon. I think it comes down to the cost savings and keeping the price down for the kit. Genlock• 'Uninterrupted' 4K 60p recording thanks to flow-through ventilation and cooling fan• Cine Internal Recording UHD up to 59. 94p 4:2:2 10-bit 16-bit linear RAW output over SDI UHD up to 59. If you want to use the FX3 as a b-cam you will have to add a TC device like a Tentacle Sync or record scratch audio and use a slate. Given the form factor of the FX3, I think a lot of potential users would agree with me. 265 4:2:0 10-Bit 6K 3:2 5952 x 3968 at 23. VENICE, FX9, FX6, and now — FX3. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. And so, it can be incredibly small. The camera includes a full-size Type A HDMI slot, which supports 16-bit RAW output. S-Cinetone is included in Alpha One, but as of yet is not in any other mirrorless Alpha cameras. 94p XAVC Intra 422 10-bit Class 300 UHD up to 120p XAVC Intra 422 10-bit Class 300 HD up to 240P XAVC Intra 422 10-bit Class 100 External Recording UHD up to 59. You need to be seriously aware of this because if you are shooting documentaries or events you are going to have serious limitations with focal reach. FX9• 97p Full HD 1920 x 1080 at 23. I have simply listed the specifications in case you want to compare cameras on paper. The hybrid camera is one of the best Sony has to offer today, maybe outside of the Alpha 1, but that comes at twice the cost. The FX3 is expected to start shipping in March. The FX3 has a little secret, it can be used to take still images. When using the supplied XLR handle, the FX3 offers 4-channel 24-bit audio recording. You have to applaud Sony for being able to squeeze everything they have into such a tiny camera. It appears to have a flip-out display but supposedly lacks the ND filter found in other Sony Cinema Line cameras. Using software such as this, the user can select the range of compensation and resulting crop when processing video files. 4K recording up to 120p frame rate• There are actually three different standards of CFexpress cards. The 12MP sensor can also record still images at up to 10 frames per second. 88p External Recording OVER HDMI 3840 x 2160p up to 59. Better autofocus, IBIS, and ergonomics than the. Consider becoming a and help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. Is the FX3 what the a7S III should have been? The FX3 can shoot 4K footage with 10-bit 4:2:2 color sampling internally or output 16-bit RAW video over its full-sized HDMI port. The FX3, just like the FX6 and a7S III, features a next-generation sensor chipset that provides much improved AF with face detection and Eye-AF. While the FX6 and FX9 share a similar design philosophy, the FX3 shares the same form factor of the a7S III. 5x S35 shooting mode you are limited to recording in HD. These are all good options and it is nice to see that Sony has offered shooters a variety of different forms of XAVC to choose from depending on what their needs may be. With an optional XLR microphone, digital audio data can be directly transferred to the camera for outstanding audio quality. Although we don't have specific figures, Sony also promises strong low-light autofocus performance. 1 effective megapixels for stills and the BIONZ XR image processing engine team up to ensure high sensitivity with low noise. The new and are cameras that take-on the mirrorless form factor, but these two cameras are very different, except they both share not having an EVF. You can program the buttons to have different settings when in stills mode. If you are not recording in XAVC S-I you can use slower rated SD cards. Inside the camera, the FX3 features a 5-axis in-body image stabilization system. Protecting your Line-up• Having stills capabilities should be viewed as a bonus feature and if you need to take the odd photo then this camera still allows you to do so. In a nice touch, you can also use the zoom lever when you have the Clear Image Zoom function enabled on the camera. The menus have been separated for video and stills. Some of the specs will be familiar:• Compact and lightweight body design with high operability for hand-held shooting, gimbal and drone-mounted work• ; however, the C70 gives you more features such as an internal ND and a larger LCD screen. Unfortunately, no shotgun mic is included like the ECM-XM1 this is with the KLR-K3M. With a big beautiful full-frame sensor capable of shooting Blackmagic, ProRes RAW, and CinemaDNG, a truly compact body size, and a great price point, it's still a compelling option for certain types of production and a real competitor for the FX3. Other specs of the FX3:• Once you do this the menus will change. The new model provides, according to sony, outstanding image quality and usability for small scale and one-person shooting. It is claimed to offer twice the efficiency of XAVC S but with the same level of quality. 20dB: Standard input level at -40 dBu Suitable for recording with a high-sensitivity microphone while keeping the sound volume low. 5 mm Stereo Output 1 x USB Type-C 1 x 2. Four channels of audio recording• 94p Full HD 1920 x 1080 at 23. Maybe the release of the iPhone in 2008 and the Android imitators a year or two later is similar, but in camera design, you cannot deny how the BMPCC influenced the market. The FX3 has S-Cinetone, something the A7S III doesn't currently offer. ProVideo Coalition will have more info about the model but for now here are the product highlights:• We have seen many cameras without EVFs, such as the Z Cam, RED, Canon C70, plus the C200 and C300 MKIII have a no EVF option, and the BMD Pocket 4K, 6K. Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. The cinema line currently comprises the Venice, FX9 and FX6 cameras. Any of the cameras I have listed will get the job done in the right hands. Compatible Accessories Sony URX-P03D 2-Channel Portable Receiver for UWP-D Systems The FX3 can utilize a range of compatible accessories. The true competition for the FX3 is the a7s III and the new BMD Pocket Cinema Camera 6K Pro with internal ND and an optional EVF. With Active Image Stabilization turned on, the FX3 was like a tripod in the sky. The FX3 comes with a top handle as part of the package. This alone could be tempting for quite a lot of users. 5mm splitter, you can have 5 channels of audio. Full-Size HDMI• The shorter height is due to the removal of the electronic viewfinder. Even slow-motion footage can be captured in extreme low-light. a7S III• 2MP back-illuminated CMOS Exmor R Full-Frame 10. Like other alpha cameras, the mount sits low on the small body, and with some of the fatter Sony lenses, they can go past the bottom of the camera. This is something you need to keep in mind long term, even though I personally think 4K will be fine for many years to come. Another way to distinguish the four Cine Line siblings is by how you might work with them. The only other cameras are the a7S III and FX6. The LCD screen looks to also be the same as the a7s III. On the software side, the only major change on the FX3 from the A7S III is the inclusion of S-Cinetone. 5mm mic input• 5mm mic input The audio level dials rotate with some dampening. The newer mounts E for Sony, L for Sigma, RF for Canon are all much shallower, which allows for easy adapting to traditional PL mount lenses. For remote control, you can use either Imaging Edge Desktop or Imaging Edge Mobile. 16-bit RAW via full-size HDMI output• Items such as white balance, iris, and ISO work in both modes. 265 4:2:0 10-Bit UHD 4K 3840 x 2160 at 23. The camera also has the same Active Mode setting that is found in the a7S III. Maybe an articulating arm would fit or a cold shoe. Sony claims that this provides consistently accurate, responsive AF tracking, even with fast-moving subjects while maintaining a shallow depth of field. The three standard tripod screws and large recording button on the top show that the FX3 is designed to take accessories like displays, microphones, etc. 1 MP for stills Yes, you can shoot stills as well. CFexpress was announced back in early 2019, but so far we have only seen CFexpress Type B cards being utilized. These are the following codec choices that are available in UHD:• You simply just can't touch the screen where you want the autofocus. Canon C70 Comparison Credit: Canon If you're already invested in Canon, the C70 is appealing, but the price point Sony has launched for the FX3 is clearly intended as a very aggressive move against the C70. Matches VENICE and the other Cine Line cameras. The camera has built-in Wi-Fi with 2. Other noteworthy features include dedicated Photo Mode, IBIS with active mode, full-size HDMI, articualting LCD screen, and dual slot for CFexpress A and SD cards. Dual CFexpress Type A or SD card slots. If the Sony FX3 has all these features in a small form factor, what separates it from the FX6? The handle is made of plastic and is very light. Unlike its sibling, though, the newcomer provides greater than 1. Considering a lot of users of small-sized cameras like these are going to be doing their own audio, the audio options need to be good. The Magical Multi-Interface Shoe Sony added the MI hot shoe on several cameras. Yeah, we are not done with camera releases at all! The body is larger… the more I think about it, they only share a fault of no EVF. Other recording formats including XAVC HS. You can capture both JPEG or RAW images at 12. The Sony FX3 features dual-band 2. Below are some of the options you could use for recording four channels of audio:• 56 lb Body with Battery and Memory 1. I even jumped up and down while shooting, not necessarily to keep warm, but to see whether it would steady the image. On the top right-hand side, you will find a Record button, three custom buttons which by default are set to WB, ISO, and IRIS. 2 Megapixel Full Frame sensor for video. 5mm input on the body unless you attach the XLR-K3m adapter. What would you remove from the FX6 that would make the FX3 different? By utilizing this smaller megapixel sensor in the FX3, Sony can give you UHD at up to 120p with full pixel readout and no pixel binning. Touchscreen Operation Just like the a7S III, the FX3 has the same touchscreen operation available from its LCD screen. Here you can control the Shutter Speed, enter a Playback mode, and Delete clips. You can record all these XAVC options on either a CFexpress Type A card or a V90 speed-rated SDXC card. We also get your email address to automatically create an account for you in our website. An audio module with gain controls and two XLR connectors are part of the handle and it comes with a mini shotgun mic. Exposure control while shooting video with direct control of iris, shutter speed and ISO. As you can clearly see above, the FX3 clearly leans more heavily towards alpha than Cinema. However, how many people actually need greater than 4K at this point in time? A solo shooter demands more in terms of autofocus capabilities as well, so the FX3 has been designed to deliver high-end AF capabilities in addition to features to aid manual focus operation. The main reasons for this are undoubtedly due to lack of space and to maintain product differentiation. The thickness is due to the inclusion of a fan that now actively cools the internals during recording, which should allow for the camera to shoot indefinitely even in warmer environments. With the FX3, you will have better autofocus and IBIS performance compared to the fp. If you are using the top handle then you automatically lose two of the thread holes anyway. But the form factor is the real winner here, as you'll be able to use it for guerilla-style filmmaking without sacrificing image quality. The recording options on the FX3 are exactly the same as those on the a7S III. 5mm Mic Input Headphone Jack Yes Yes Included Battery Yes Yes Weight 640g Body only 614 g Body Only As you can see, on paper these cameras are quite similar. We tend to expect a lot with camera releases, and sometimes that involves having unrealistic expectations. 94p 4:2:2 10-Bit UHD 4K 3840 x 2160 at 23. Again, the AF is the exact same system that is being used in the a7S III. 94p 4:2:2 10-Bit via HDMI: 4096 x 2160p at 23. What is your reaction to this announcement? Remember how tough audio capture was with a DSLR? The fact that you can only shoot HD in a Super 35 mode may be a deal-breaker for some potential users. This will not be a deal-breaker for many alpha or hybrid shooters that already use variables ND filters or set strength versions. There is also a switch on the handle that lets you turn off the audio coming from the XLR module. A Camera Built with Filmmakers Top of Mind Ergonomics were top of mind when Sony designed this camera. Color Straight out of the FX3 with no color correction I like S-Cinetone a lot. Despite offering the same sensor and a lot of similarities when it comes to frame rates and recording options, the FX3 arguably makes a lot more sense to me personally for video use than the a7S III. Extraordinarily smooth slow-motion imagery up to 5x at QFHD 3840 x 2160 resolution with autofocus provides new expressive capability. For many shots, a tripod was not necessary. Dedicated zoom rocker Sony FX3 In terms of video quality, the FX3 records 4K UHD video at up to 120 frames per second. The line between the a7S III and the FX3 is very blurred. Now, depending on what mode you are shooting in and the ambient temperature you could still potentially run into overheating problems when recording for long periods of time. ソニーFX3の画像。 。

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